Welcome to Orlando, the only magazine in the world structured as an Imaginary Hotel
In Victorian England, strawberry parties transformed a fleeting fruit into a refined ritual of summer, where the season revealed itself through quiet enchantment and entered literature, painting and social memory.
By Anna Maria Giano
A Victorian chamber of vision, where painting and poetry meet at the threshold of the invisible, and beauty becomes a language of longing. The visible world begins to glow like a spell whispered between art and the soul.
By Anna Maria Giano
Our founder sat down with Elisa Seitzinger for an exclusive conversation about tarot, creative and personal time, the Major Arcana, black cats, birth charts, and much more.
By Antonella Dellepiane Pescetto
Orlando’s take on Chanel Haute Couture Spring/Summer 2026 collection.
I know who you are. Near to my heart, every hour, you stay.
By Anna Maria Giano
Emerald Fennell’s Wuthering Heights stumbles less over modern liberties than over plain coherence, offering a polished cabinet of “moments” with scarcely any connective tissue.
By Anna Maria Giano
Orlando’s take on Daniel Del Valle “The Narcissist” collection
By Anna Maria Giano
Reading leaves us with something: a sharpened awareness, an intuition, a lesson learned without direct cost.
By Giulia Fantini
Bringing together playfulness, memory, and materiality through Ceramics.
By Antigone Morgan
An insightful and entertaining conversation with the talented Private Chef from the worlds of art and luxury.
By Antonella Dellepiane Pescetto
Arkansas is a powerful reminder that the personal is always political — and that every act of love deserves recognition. Some stories deserve to be told because they give voice to many others that remain invisible.
By Antonella Dellepiane Pescetto
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